
In 1915, estimated 1.5 million Armenians were killed by the Ottoman Turks, during the Armenian Genocide. In 2015, a Turkish woman named Maya discovers that her great grandmother was survivor of the Armenian genocide. Maya embodies the conflict as she has two enemies living in her body: one side that suffers and the other side that denies. The documentary follows Maya as she decides to go to Armenia to take part in the 100th commemoration of the genocide and to explore her conflicted identity. This film is a universal story of identity, denial, and how the experience of genocide creates a ripple effect for future generations on both sides.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.