An unemployed factory worker adopts the child of a desperate prostitute in exchange for 200 yuan a month in child support. When the woman's pimp, a local gangster, not only finds out that he may have fathered the child, but also that he is dying of cancer, he decides that he must adopt the baby - and is willing to resort to violence if necessary.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
