The small town of Springdale is being tormented by a serial killer and Abby Jenkins was the only "lucky" one who escaped his vicious attack. After her examination, she finds out that she is pregnant. Once she has the baby boy (Matty), she realizes she could never love this child and chooses to kill herself. This forces her parents to raise Matty. Twenty-one years later, the killer is still on the loose and is now looking for his son. When the killer finds Matty on a cottage trip with his friends, he's not making any more mistakes. THIS time he's not letting anyone get away...
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
