“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

In 1970, Mikey and William both portrayed football cannibal Smash-Mouth in the influential cult hit, End Zone 2. Now, 50 years later, only one can wear the mask.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
John Walker is named the new Captain America and The Flagsmashers run amok.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.