
During Japan's Edo period, at the height of Kasuga no Tsubone's influence in the shogunate, a covert force of female ninjas operated in secret. Answering only to Kasuga—one of the most powerful women in the Tokugawa court—this elite group, known as the Kagero Group, handled conspiracies and missions too dangerous or politically sensitive to be addressed openly. When a plot to overthrow the ruling family of the Omura domain is uncovered, the Kagero Group is dispatched to intervene. Led by Kagero (played by Hiromi Takigawa), granddaughter of the legendary ninja Hattori Hanzo, they join forces with the shadowy Yagyu clan to stop the conspiracy before it can bring down the domain from within. In a world ruled by secrets and shadows, these women fight not only for justice—but for survival.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
This is a film that is going to leave some people bored, and some people thrilled.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.