"Small Talk": An Incluvie Film Festival Review
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.

A young man stands in front of a mirror. The night belongs to him. Every evening, he appraises his appearance, attired in a new shirt, leaves his apartment and waits in a poorly lit alleyway for his johns. One night he meets a female prostitute of his age who’s new in this part of town.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
It's sexy, regardless of what else is going on.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
Paul Thomas Anderson blends tragedy, comedy in 2025 epic, "One Battle After Another."
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.