“Where Fireflies Dance”
An indie production of a romantic drama with a country-western feel meant to explore lost love.
The New Monsters Today
Talks about the fears, vices and weaknesses that bedevil the contemporary Italian society. Highlights the degeneration that is plaguing certain quarters of the Italian society today.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Talks about the fears, vices and weaknesses that bedevil the contemporary Italian society. Highlights the degeneration that is plaguing certain quarters of the Italian society today.
Rating:
Genre:Comedy
Written By:Franco Ferrini, Enrico Oldoini, Giacomo Scarpelli, Silvia Scola, Marco Tiberi
In Theaters:
Box Office:
Runtime:102 minutes
Studio:Colorado Film, Dean Film
Cast
Enrico Oldoini
Director
Claudio Bisio
Claudio/Paziente/Enzo/Marito
Diego Abatantuono
Diego/Daniel/Prelato/Padrone/Davide/Pirata
Sabrina Ferilli
Sabrina/Mamma/Alice/Moglie
Angela Finocchiaro
Renzina/Angela/Analista/Dama Golf
Carlo Buccirosso
Carlo/Michele/Gregorio/Sotto
Neri Marcorè
Fosco
Giorgio Panariello
Remo/Giorgio/Emilio/Gino/Malconcio
Massimo Giletti
Himself
Emanuela Aureli
Elda
Anna Foglietta
Alessia
Cecilia Albertini
Cecilia
Articles You May Like
The Show Must Go On In "Don't Say Good Luck"
Sunny Sandler, daughter of Adam Sandler, stars in a new Netflix film directed by Julia Hart, and it has caught the attention of many younger audiences as they watch this heartfelt coming-of-age story. The film's relatability of just being a normal teenage girl also tells a devastating reality that many cannot fathom facing. The storyline showcases a deeper meaning of the classic theatre kid saying, “the show must go on”, and emotionally captures the struggles that happen on and off the stage.
Thelma & Louise is a Queer Love Story...You Just Have to Look For It
‘Still’: An Interesting Premise With Poor Execution
Overall this movie was an easy watch, but by no means a worthwhile watch.
Avatar: Fire and Ash: A Female Led Marvel
An action film led by two queens, fighting for what they believe in through power and pain.
Rejecting “The Prom”-posal
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.