Michelle Payne Learns How to 'Ride Like a Girl'
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.

Barry Johnson is a mild-mannered spreadsheet analyst leading a life of quiet, almost theatrical ordinariness — alarm clocks, chicken BLTs, YouTube videos at his desk. When a woman named Moonflower Fairchild walks into his office for a job interview, something stirs in him that he can't name and can't shake. A connection he can't quite place. A past he may or may not be remembering correctly. As Barry's obsession with Moonflower deepens, the boundary between his waking life and his dreams begins to dissolve. His marriage strains. And a furious man enters his life with grievances both personal and deeply strange. Shot entirely in Cincinnati, The New Hire treats the surreal and the mundane with equal sincerity — a deadpan absurdist comedy in the tradition of early Coen Brothers and Lynch, where ordinary life turns out to be far stranger than it appears.
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.
This is not a slavery story, it is a freedom story. The viewers only see Harriet as a slave for the first few minutes of the film. To me, it felt like watching the origin story of a superhero…which is both good and bad.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.