Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

A woman is sent to a remote cabin by her therapist, as she finalises her treatment on recovering from an abusive relationship. Her therapist has also sent another client there at the same time. Their tasks are unclear. After several days, they are joined by their best friends. The woman's ex partner seeks out her location by any means necessary. He joins forces with the other client's abusive ex, in a bid to descend on the therapy session.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Two Korean sisters must save their family after a ghost tears the family apart.