Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Denis, a hypersensitive teenager, is revolted both against his distant, pretentious, well-to-do parents and their superficial society firends and the stiff, intolerant catholic establishment in which he studies. Fortunately,he has an open-minded philosophy teacher, Father Philippe de Maubrun, who understands him and supports him in his distress.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.