Wednesday Addams
The iconic title character stars in her own horror and gothic TV series.

Set sometime in the not-too-distant future, after the worldwide crisis of 2020, Mandy is a 17-year-old Filipino Australian. In her final year of high school and dealing with her parents impending divorce, she navigates a world driven by a new normal of isolation and fear. Added to this she has a crush on her tutor Serena. Meanwhile, a young girl from the backstreets of Manila tells her story.
The iconic title character stars in her own horror and gothic TV series.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
"Rodgers' & Hammerstein's Cinderella" wasn’t just a fairytale, it's a Black girl's fairytale. It was a fantasy world where the undeniable beauty of Black girls and Women was celebrated and beloved.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.