“I’m a newspaperman!”: Howard Hawks softened a political satire into a proto-feminist romcom
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.

Professor Hagen (Claude Peiffer) wants to investigate this question together with his assistants Victor (Claude Hansen), Dan (Daniel Paulus), and Lena (Tania Mangen) and their paranormal research. One day, an anonymous tip leads them to a mysterious, previously unknown videotape that may provide revolutionary proof of the existence of ghosts. To find out if the tape is real, the four decide to embark on an expedition, enlisting the help of a dubious ghost hunter, Mr. Montana (Pierre Heinen). But who is this mysterious Montana, and what does he really want?
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?