Kitagawa, a top salesman with an impressive record, is hiding a dark secret—he borrowed the 9 million yen of his record from loan sharks. One day, while being pursued by the yakuza, he escapes to a rooftop where he unexpectedly meets a mysterious elderly woman and an office worker. Soon, the rooftop transforms into a serene escape, as they find themselves playing nostalgic childhood games like "Kick the Can" and "Red Light, Green Light." But beneath the surface, all three of them are hiding a significant secret...
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
