Why Wish and similar Disney films don't work
Disney movies have taken a bit of a downward turn recently. How come?

A queer fantasy about a woman who escapes to an inhospitable town south of the Argentine Atlantic coast in search of salvation. Loneliness and despair take her on an unusual journey towards her resurrection where an interdimensional portal opens where chronological time unfolds in multiple dimensions. This country legend is known as the Wild Woman myth. Or it could be the fantastic game of two non-binary girls.
Disney movies have taken a bit of a downward turn recently. How come?
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
Disney+'s The Falcon and the Winter Soldier is over, but that doesn’t mean discussion about it has stopped. One of the most controversial characters on the show that’s still stirring up discourse is John Walker. Many have debated his morality online: Is he a hero, a villain, an anti-hero?