'A Babysitter's Guide to Monster Hunting'
This horror movie combines elements of horror and babysitting with Black representation.

A family of four and their dog arrive at a seaside hotel in Kui Buri, Thailand. What appears to be an ordinary vacation turns into a series of interactions that betray an unspoken tension in their relationships. The next day, complexities unfold in a cave housing Buddha statues.
This horror movie combines elements of horror and babysitting with Black representation.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.