Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Naked Trees poster

The Naked Trees 

In 1943, where everything was prohibited, and the Nazi grip on the Danish population tightened, more and more growing resistance to the occupation quite naturally in the Danish population. In Aarhus break 2 young men, Holger Mikkelsen (Ole Lemmeke) and Leo (Per Morberg) into a company who sympathize with the Germans, and burn repairer. It had been a close thing, but when, however, to reach safety before occupying forces emerge.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In 1943, where everything was prohibited, and the Nazi grip on the Danish population tightened, more and more growing resistance to the occupation quite naturally in the Danish population. In Aarhus break 2 young men, Holger Mikkelsen (Ole Lemmeke) and Leo (Per Morberg) into a company who sympathize with the Germans, and burn repairer. It had been a close thing, but when, however, to reach safety before occupying forces emerge.

Rating:
Genre:Drama, Romance
Directed By:Morten Henriksen
Written By:Morten Henriksen
In Theaters:
Box Office:

Runtime:100 minutes
Studio:Hemdale U.K., Norsk Film, Lise Lense-Møller Film, ESICMA, Studio Tor, Film Effekt

Articles You May Like


Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger