Begoña is a thirty something consultant who has rebelled against her upper middle class background and has overdone it with sex ever since her youth. On recommendation of her psychoanalyst she keeps a video diary of her encounters using a palm-sized video gadget called "The Owl". On Christmas Eve, reluctantly, Begoña goes to have dinner with her dysfunctional family: her stern mother, her married brother and her younger sister. Soon, Begoña, the family’s black sheep, clash with her relatives. She leaves abruptly in disharmony, only her sister seems sympathetic towards her. The same night in a bar, Begoña is befriended by Daniel a solitary handsome man in his late teens. The attractive and self assure Begoña draws his attention, but when her on and off ex boyfriend Elio, and adventurous biker, shows up at the bar, an argument ensures between Elio and Daniel.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
Meander, released in 2021, is a French gory horror film featuring a woman trapped in small spaces as she fights for her life, paralleling real pandemic life.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
