
Paris 1838, Prince Rodolphe vows on the deathbed of his friend Matilde to find Germain, the woman's son kidnapped by his father at birth. Disguised as a tramp, he wanders the city's slums encountering various characters who either help or hinder him.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
'Selena: The Series' loses sight of the story's heart: Selena herself.