'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

Ali is son of a well-off family who plays the santoor (an Iranian instrument) and has earned some reputation through his concerts and teaching music but is rejected by his family because of this profession, which they despise. He falls for one of his music students but after a short blissful period, life doesn't treat him as well as before and also his addiction agonizes him in his numbered days before redemption.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
An action film led by two queens, fighting for what they believe in through power and pain.
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.