Richard and Philippe live hand to mouth, backing up a gang of Spanish pickpockets on the streets of Paris, posing as policemen who arrest a gang member while the others rifle the pockets and purses of gawkers. When all of the gang except Richard and Philippe are pinched, things look grim. Plus, Richard insists that they take in a wide-eyed immigrant lad, a deaf-mute left behind in the arrests. Philippe suggests a three-person pickpocket trick, using the boy, but when that goes spectacularly badly, they hit rock bottom. Then, at the cinema, the lad finds a solution. It's time to celebrate.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Mulan had to struggle to feel like herself and see herself properly. Some of us have to strive to have our reflection mimic what’s inside. We have to crawl. We have to fight.
