
Two best friends Kisan and Baloo have their dream of a house, a piece of land. A farm and a happy life. Baloo is a slow learner and is dependant on Kisan. His basic issue is to always touch soft things like velvet, silky hair and finally they die of his uncontrolled energy, which is unintentional. Kisan is an intelligent man and he takes care of Baloo like a mother. He cannot bear or see anybody harming Baloo. The story predicts their journey of both of them encountering incidences in their lives and how does everything get devastated, consequently.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.