Julio and his blind son Ingo confront their ultimate survival as they seek refuge and redemption from war and hunger in a garbage-collecting town called "Little Hope." Together, they navigate territorial rivalries in a slum community in which people's lives revolve around sifting through the mountains of trash they live in. There is piousness steeped in blind faith as they try to survive and in Ingo's unseeing eyes, even something beautiful atop the mountains. But as a newcomer to an established fiefdom, their uneasy foothold in the village collapses when Julio is involved in a murder incident. The one witness, an outcast thief, holds the key to Julio's ultimate fate.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Unrelentingly funny, highly entertaining, and ridiculously absurd, My Movie Starring Paul Dano is, according to its creator, Joe Bartone, a tribute to the willful ignorance of independent filmmaking found in the late '70s in New York City. Developed through open discussions with the cast at the reading table, the mockumentary follows a delusional and fame-starved indie director, Herman Rumowicz, through the process of making his very first feature movie starring Paul Dano.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
