
"This documentary from local station KING-TV in Seattle, Washington, examines the history of Mount Rainier through narration, interviews, re-enactments, newsreel, and home-movie footage. Highlights of the program include the following: claymation showing the formation of the mountain; discussion of Hazard Stevens's and Philamon Van Trump's discovery of the mountain in May 1792; reenactment of the 1870 climb to the summit; the mountain's designation as a National Park; activities on the mountain in the 1920s and 1930s; Paradise Ice Caves; history of skiing and other activities on the mountain; 1969 time-lapse photography of the movement of the Nisqually Glacier..."
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The film is a powerful narrative encompassing a theme that many people can identify with.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.