Redux Redux (2026) and the Violent Nature of Motherhood
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.

After 30 years of conspiracy theories and myth making, this film uncovers the story of the CIA's most extensive clandestine operation in the history of modern warfare: The Secret War in Laos, which was conducted alongside the Vietnam War from 1964 -1973. While the world's attention was caught by the conflict in Vietnam, the CIA built the busiest military airport in the world in neighboring and neutral Laos and recruited humanitarian aid personnel, Special Forces agents and civilian pilots to undertake what would become the most effective operation of counterinsurgency warfare. As the conflict in Vietnam grew, the objective in Laos changed from a cost effective low-key involvement to save the country from becoming communist into an all-out air war to cut the Ho Chi Minh Trail and bomb Laos back into the Stone Age that it had never really left in the first place. Conventional bombs equivalent to the destructive power of 20 Hiroshima-type weapons fell on Laos each year - 2 million tons
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.