“Young Washington” is Imperialist Propaganda
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.

A village boy awaits his father's return from the front. Though he doesn't yet know the alphabet, he begins composing letters and enrolls in school early to learn to write. He believes the Moon Witch — a figure from a fairytale — is behind all the misfortunes of war. In his dreams, he battles her on the moon as she casts black letters — death notices — down to Earth...
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
For one widowed father and his five kids, an extraordinary gift will change their lives forever.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.