Samantha Mitchell’s “RSVP” Incluvie Film Fest Review
“There’s always something you can do…to make people feel like they’re welcome”

An experimental film on the geographic and historical voyage of the peculiar sound of the so-called 'Basque ox carts'. Said sound, which could be heard until the decade of the 60s in part of the Bay of Biscay, has now practically disappeared from the Iberian peninsula. The film travels from the silence of the sound in our territory today, until its reappearance, following years of research, in the central area of Brazil.
“There’s always something you can do…to make people feel like they’re welcome”
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content