A bankrupt Italian count commit suicide and one of his creditors takes over his family villa but he allows the widow, the mother, and the three adult sisters to stay on. The creditor is a wealthy businessman, but also basically an uncouth peasant (who fancies himself an opera singer). Still, the dimwitted, sex-crazed sisters try to seduce both him and his shy, virginal son who accompanies him.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
‘Barbie’ is an entertaining, meaningful piece of filmmaking with a heartfelt message.
