
Chanel sets out to get revenge after disocvering that her husband is having an affair with his secretary, Alexis. But, when she finds herself desperately attracted to Alexis' fiancee, the jilted wife begins to wonder if she too can be a mistress. Michael and Lily's marriage becomes volatile after they hire a seductive, but capable, new babysitter, Abella. Eager to keep the peace, Michael struggles to appease his jealous wife while indulging in a secret, dangerous flirtation with this youthful beauty.
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.