Tonight is 'The Curse of Bridge Hollow'
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
The Misogynists (2017)
In a single, fully-stocked hotel room on the night of the 2016 general election, two Trump supporters celebrate the unexpected results. As the night rages on, an ensemble of characters venture in and out of the room. Some match the two’s enthusiasm while others voice their terror at the prospect of the incoming president, but most struggle to find reasons to care less about the results that caused the debauched celebration occurring around them.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
In a single, fully-stocked hotel room on the night of the 2016 general election, two Trump supporters celebrate the unexpected results. As the night rages on, an ensemble of characters venture in and out of the room. Some match the two’s enthusiasm while others voice their terror at the prospect of the incoming president, but most struggle to find reasons to care less about the results that caused the debauched celebration occurring around them.
Rating:
Genre:Comedy
Written By:Onur Tukel
In Theaters:10/6/2017
Box Office:
Runtime:85 minutes
Studio:Anjuna Pictures, Kjax, Oscilloscope
Articles You May Like
Riding the Wave of Transness - 'Gender Outlaw: A Bodysurfing Story' Review
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
Polarizing Polar: An Exploitation Film For the Modern Viewer
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
"Swapped" (2026) and The Power of Trust
Swapped combines comedy, adventure and emotional growth while delivering one of the biggest plot twists in animation history.
Extreme Quarantine: “The Last Days” Shows Us How Much Worse It Could Be
The Rape Post-Memory in 'Grbavica'
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.