‘Malcolm & Marie’: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

Linnea Chiang is a mild-mannered tobacconist by day and a masked master thief by night; like some modern day Robin Hood, the black vinyl-clad "Minx" robs large corporations and gives the money away to homeless people on the streets of Chicago. Over the course of the film's dazzling plot turns, Linnea develops relationships with two very different men: Joseph Van Zwick, the ruthless CEO of the corrupt "World Energy" company, and Edgar Alvarez, an idealistic young reporter for "The Windy City Weekly," Chicago's leading alternative newspaper. In an ironic twist, Edgar is assigned to write a story on The Minx, never dreaming that Linnea, the woman he has become romantically involved with, could be her alter-ego. As both of these men, as well as Chief Inspector Chiapetti of the Chicago police, begin to close in on The Minx's true identity, Linnea is forced to make a decision about her future that will affect the lives of everyone involved . . .
Sam Levinson's latest film can't keep up with the excellence of its performances.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
This is not McDonald’s. This is something different.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.