'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Tony Curtis is the ruthless head of a cosmetics firm, Kiss of Gold, locked in fierce competition with his arch-rival, Glamour, Inc., that happens to be run by his former lover (Lee Grant), and finds his company in the grip of a power struggle among his executives (one of whom, unbeknownst to him, is the son he'd never met) when he is severely injured in a helicopter accident. This pilot to a prospective primetime soap opera failed to generate network interest.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
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I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.