'Zola' is a Modern Black Fairytale
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.

Luc Bondy’s dramatic production of Puccini’s operatic thriller stars Patricia Racette in the title role of the jealous diva, opposite Roberto Alagna as her lover, Cavaradossi, the painter whose political ideals lead them both into tragedy. George Gagnidze is Scarpia, the villainous chief of police who wants Tosca for himself. Riccardo Frizza leads the Met’s musical forces in this powerful verismo score.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.