Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

A debauched nobleman offers himself to a beautiful woman, but she is repelled by his advances. He dons a mask and tries again, and this time is more successful. But the mask cannot conceal the evil in his soul.
Not every silence is empty. Some are filled with things too heavy for words.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
Crazy Rich Asians. The title is tacky, but the actual movie is both heartwarming and cosmopolitan. After all, it takes place in Singapore!
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.