"Le Bonheur" and the Feminism of Varda
Effortlessly beautiful and surprisingly tragic.

The Marvelous Nobody is a short, surreal comedy about a struggling performer who, after a freak accident, suddenly discovers an unexpected talent, offering a heartfelt look at the emotional toll of rejection, self-doubt, and the unpredictable nature of creative breakthroughs.
Effortlessly beautiful and surprisingly tragic.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.