The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

The year 1901, a psychiatric hospital in the Russian partition. One of the patients is a political prisoner - Józef Piłsudski. The Polish underground independence movement is preparing their mission to rescue the famous activist. Piłsudski is freed, but he will not get back his idyll family life that he once knew. Uncertain years are coming, marked by revolutionary events, violence and betrayal. Pilsudski must find a way to man oeuvre on the boggy ground - between the conservative passivity of the Polish Socialist Party and the aggression against the invaders, resulting in retaliation. The year 1914 is coming, and the chance for restoring an independent country, independent Poland, is now or never.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy
'Air' is a fun film about a company that put it all on the line for a 22 year old kid from North Carolina
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.