
Hundreds of young boys spent some of the most formative years of their youth at the Marist boarding school in Mindelheim. Everyday life seemed normal and routine: a short walk across the street to school, lunch in the dining hall, free time, study time, dinner and table prayers. But after an abuse scandal could no longer be covered up, the school closed its doors. Today it is clear: for decades, the headmaster had been abusing young boys there. What really happened behind the walls of the Marist Order, where one of the largest church scandals took place? And why isn’t the perpetrator already behind bars?
"There is something going on between us that I cannot unravel."
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The highly anticipated Marvel superhero movie of the year displays important themes of loss, loneliness, and change.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.