The Manual of Love 

We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.

'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.

'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.

How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.