The Man Without a Country (1973)

In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.

Hope has great characters, inventive ideas, an incredible imagination, a palpable intensity, and numerous other aspects that make it one of the best of the year. 

Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.

The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.

The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.