In a Virginia resort town in August 1918, Christopher Brent is viewed as a slacker because he refuses to enlist. Secretly, Christopher is observing German spies who are passing information about coastal fortifications for invasion preparations. Seeing Christopher consort with Mrs. Miriam Lee, also from the secret service, his fiancee Molly Preston, who had been bothered by the talk about him, becomes jealous. When Molly's brother Norman discovers a German code book in Mrs. Lee's possession, Christopher, who obtained the book when he destroyed the wireless of the chief spy, Carl Sanderson, who also loves Molly, is suspected of aiding the Germans.
Herbert Blaché
Director
King Baggot
Christopher Brent
Claire Whitney
Molly Preston
Robert Whittier
Fritz
A.J. Herbert
Norman Preston
Lila Leslie
Miriam Lee
Frank Bennett
Carl Sanderson
Ricca Allen
Miss Myrtle
Robert Paton Gibbs
Judge Preston
Julia Calhoun
Fräulein Schroeder
Ida Darling
Mrs. Sanderson
A. Lloyd Lack
Gaston Letour
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.