Nikos Liosis returns to his homeland, with the wounds of the Korean War still fresh in his mind and body. His wife Vera and all his relatives think him dead. He does not want to be present in his home in the state where he is. One day Vera meets him at random. He denies the identity of Nikos Liossis and is recommended as Alexis Sarris. She asks him to play the role of her real husband who never ceases to love, to avoid the marriage forced by her parents.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
This live-action Barbie movie brings strong feminism and topics about blondes.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
