“Spider-Man: Brand New Day” Isn’t Very New
This is a film that is going to leave some people bored, and some people thrilled.

This loose adaptation of the Victor Hugo classic shifts the story to Italy and back in time, with the deformed protagonist meeting Lucrezia Borgia instead of Queen Anne. Also, Gwynplaine is renamed Angelo (Jean Sorel) with his disfigurement represented by a single broad slash across his mouth, crude yet convincing. The story (not credited to Hugo) is a swashbuckler pitting the disfigured acrobat against the henchmen of the Borgias.
This is a film that is going to leave some people bored, and some people thrilled.
A short hybrid film featuring everyone's favorite Disney characters.
Despite this genre not being a new one, The Novice offers a fresh perspective with its study of performance anxiety
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.