Adaptation of Mór Jókai's classic 19th century novel on Mihály Tímár, the captain of a commercial Danube ship in the 1830s, who finds unexpected fortune by meeting a Turkish aristocrat fleeing from his home country with his daughter Tímea. On their journey, they find an unknown island on the Danube, called the Senki szigete (the Island of No-one), a sort of earthly paradise, with only an old woman and her young daughter Noémi living on it.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
