Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

One night, one apartment and one mystery. Shir wakes up in the middle of the night. Her husband hasn’t come back after taking the dog out. The dog has. But where is Rami? Friends, relatives, neighbours and police come round and with each visit more marital secrets are revealed.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.