The Man in the Iron Mask (1998)

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.

The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.

Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.

2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.