“The Way Back”: Sobriety Is Its Own Reward
A man struggling with the death of his son agrees to coach his former high school basketball team.

Yasha is a Jewish stage magician who tours through eastern Europe while destroying his career through personal problems. He has one more chance at theatrical success, but he needs to do a brand new trick in a Warsaw theater.
A man struggling with the death of his son agrees to coach his former high school basketball team.
When a US Army veteran returns home traumatized, he begins another battle with addiction.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.