“Fjord” is Beautifully Indecipherable
Fjord, like its story, is not a conclusion, but a beginning.

Tom and Jerry are police officers, driving around in their car and enjoying listening to some music on their police radio, when they hear a bulletin announcing another theft of a mummy from the local museum. They stumble upon the culprit, a mysterious and ghoulish man who is carrying a coffin through a secret door in a cemetery. They sneak in after him and watch him command the mummy to life; it is a beautiful woman, who he then commands to sing for his audience of skeletal theatre-goers.
Fjord, like its story, is not a conclusion, but a beginning.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.