
Nassia speaks, sings, cries; all the above in broken Greek, in a language peppered with grammar mistakes that reveal savage truths. Nassia recalls and reminisces how she left her husband in Moldavia, a man who used to drink and hit her and then ask her “why are you trembling? I haven’t begun hitting you yet.” Nassia leaves Moldavia to save herself. When it doesn’t drive you wild, poverty and violence can transform you into an angel. A life’s worth nothing; and nothing’s worth as much as a single life.
Mulan had to struggle to feel like herself and see herself properly. Some of us have to strive to have our reflection mimic what’s inside. We have to crawl. We have to fight.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Could you use some hearty laughs? Then you’re in the right place! Enjoy this selection of diverse international comedies.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.