Viola Davis, EGOT Pioneer
Viola Davis is an EGOT pioneer and trailblazer advocating for diversity and opportunity in Hollywood. See the legendary actresses' rise to critical acclaim.

This deftly made French psychological thriller terrifies with its exploration of an experiment gone horribly wrong. Dr. Marc Lacroix, a psychiatrist specializing in brain functions, is obsessed with the link between mind and spirit. To find his link he studies the criminally insane. He builds a secret machine, known only to his mistress Marianne, in which he hopes to exchange minds between humans. He simultaneously wants to help the mentally ill recover, and he wants to experience their madness. He chooses the psychotic killer, Zyto, a man who stabbed at least three women, for his experiment. The initial experiment is successful and the two exchange minds. But trouble ensues when Zyto refuses to reverse the switch. There is little Marc can do when Zyto takes over Marc's life, and more ominously his wife and child whom are unknowingly in mortal danger. Marc, encased in Zyto's body, is returned to the asylum. Will Marc's wife recognize the danger? Will Zyto kill again?
Viola Davis is an EGOT pioneer and trailblazer advocating for diversity and opportunity in Hollywood. See the legendary actresses' rise to critical acclaim.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Based on a true story, this sports movie is centered around a college football player.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.