Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Reprising the television series roles which first made them household names, Richard Beckinsale and Paula Wilcox star as Geoffrey Scrimshaw and Beryl Battersby, a hesitant, inexperienced, young couple attempting to negotiate the sexual minefield of the ‘permissive’ society. This big-screen transfer of Jack Rosenthal’s hugely likeable sitcom sees old-fashioned girl Beryl continuing to slap down the advances of her frustrated boyfriend, whose clumsy attempts to initiate ‘Percy Filth’ suggest he’s not quite up to speed himself! Like everyone else, Geoffrey and Beryl want to fall in love – or they think they do; like everyone else, since Adam and Eve. But Adam and Eve didn’t live in Manchester in 1972…
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
This Netflix original series is for animal lovers and fans of light horror series.