“Terrace House”: The Kinder, Gentler Japanese Alternative to Reality TV
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.

A film about youth, uncompromising rebellion, and love: "The Lovely Rejects" is the story of Cat and Joseph, two young lovers with chronic illnesses who meet while undergoing chemotherapy treatments. Tired of being in debt and battling with health insurance companies, the two go on the crime spree of their lives.
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
Friendships are tested when two girls have a crush on the popular boy at school.
Ranking The Purge films gives us one forgettable film, two mid-tier movies, and two horror masterpieces. This list can help you decide which films to watch first!
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.